Divya N’s ongoing exhibition, Jewelry in Narratives, options wearable items impressed by the tholu bommalata artwork type
“There is a potent connection between narratives and jewellery in India, where jewellery propels the story forward. For example, in Shakuntala, by Kalidasa, the signet ring plays a crucial role in the story, and in Silapathikaaram, by Ilango Adigal, an ankle bracelet is the most important metaphor,” says Divya N, Chennai-based founding father of Sayuri, a model of combined media jewelry.
Her on-line exhibition, Jewelry in Narratives, brings collectively people artwork and epics.
The designer has created hand-painted jewelry, utilizing the methods of tholu bommalata, a type of shadow theatre from Nimmalakunta, Andhra Pradesh. “Revisiting familiar stories was fascinating and the experience provided me with a fresh perspective. I curated epics, temple histories and moral stories in which jewellery plays an important role, then showcased them on necklaces,” says Divya.
All of the detailing represented within the assortment was derived from the epics. “When I was painting Sita in ashokavana, I had to bring out her agony by using appropriate colour combinations.” The show has 15 designs derived from the Ramayana, Bhagavat Purana, Śhakuntala, Silapathikaaram, Ratnaavali, Temple Histories – Jataka tales and Hitopadesa.
The dialogue for the challenge which started in April this 12 months, was accomplished by the tip of October. Divya designed the merchandise in Chennai, whereas Sriramulu labored from Nimmalakunta. Dokra brass beads and patwa thread artwork parts for jewelry have been sourced from Chattisgarh. The ultimate product was then shipped to Hyderabad to be photographed.
A novel side of this challenge is the idea of a “create with me” framework, the place collaborators train and be taught expertise from one another. “Normally designers create and artists follow the instructions. But in this project, I have broken that tradition. I learnt from artist Shinde Sriramulu. The artist also designed some pieces for the project,” says Divya.
She provides, “Roles are fluid, where the artist becomes the designer and the designer becomes the artist.”