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HomeEntertainmentBangarraju assessment: Naga Chaitanya performs a person little one, Nagarjuna his guardian...

Bangarraju assessment: Naga Chaitanya performs a person little one, Nagarjuna his guardian angel on this sorry excuse of a film

Bangarraju is director Kalyan Krishna Kurasala’s follow-up movie to his 2015 supernatural thriller, Soggade Chinni Nayana. In the event you haven’t watched the primary movie, likelihood is chances are you’ll end up a bit misplaced in terms of understanding the character of relationships between the characters within the sequel. It’s protected to imagine that Soggade Chinni Nayana will need to have achieved respectable enterprise on the cinemas and the filmmakers wished to take advantage of its residual field workplace potential. In any other case, there isn’t any cause for anybody to make such a horrible film. It type of reeks of desperation to attain a field workplace hit by retelling the worn-out story of a privileged household, which makes a fuss over the smallest of issues.

Bangarraju junior, performed by Naga Chaitanya, is a typical spoiled brat. Coming from a wealthy household, he has grown up within the care of an over-indulgent grandmother, and shares the promiscuous gene of his grandfather, Bangarraju senior. Now that his grandmother Satyabhama (Ramya Krishna) is useless, don’t ask how she handed, he sulks and pouts when his home assist doesn’t exhibit the identical gentleness whereas washing his hair. He’s pampered to a fault, and it’s virtually inconceivable for any man to get better from such an upbringing, and study to take care of actual life.

They are saying it takes a village to lift a baby. However heaven and hell have to be moved earlier than a fully-grown Bangarraju comes of age. A lot in order that Satyabhama kicks Bangarraju senior, who was partying with the celestial girls, out of heavens and again to the earth to assist her grandson navigate the day-to-day challenges of his life. You see, Bangarraju remains to be a 25-something child, and he can’t take care of the issues of an grownup.

Naga Chaitanya in Bangarraju. (Photograph: PR Handout)

The primary time we meet Bangarraju senior (Nagarjuna), he’s enjoying kabaddi with celestial girls on a courtroom crammed with flowers. He’s a single participant in opposition to 5 – 6 ladies. Again on the earth, Bangarraju junior has gained a fame of a skirt-chaser and rightfully so. However, in contrast to different womanizers, due to his beauty, the ladies of his village don’t discover him creepy in any respect. The ladies characters appear to be utterly okay with him, enjoying footsie with different ladies, whereas making eyes at them. For a while, we see Bangarraju with hordes of ladies blindly cheering for him. It appears the entire village is dedicated to caressing his ego and making him really feel good at any price. There’s hardly a person or a lady who believes within the thought of self-respect.

Such movies propagate the problematic thought of girls as a type of helpful items, which is acquired by males who’re rich, good trying and blessed. The upper the variety of ladies dying to be with the person, the better his worth. The movie provides extra layer to its problematic understanding of what are fascinating traits of a person when all of the villagers huddle up and resolve to maintain the younger ladies of their household in management as a result of they suppose Bangarraju is simply too attractive and ladies of their household don’t have sufficient self-control to reject the advances of a person, who’s a longtime flirt.

And the villain of the piece, oh the horror. No, the unhealthy man doesn’t strike worry in our hearts, it comes from the way in which director establishes him. The villain performs a ritual to hunt the blessing of the almighty to kill Bangarraju. He screams his want to homicide Bangarraju in entrance of strangers and mates, solely to grasp that the sinister plot was an enormous secret. He then has to kill his buddy who clearly heard his rant.

And there’s lord Yamadharma Raja and lord Indra, who’re type of biased in direction of Bangarraju’s household. The gods are so docile that they comply with no matter ridiculous requests Satyabhama makes to them to guard her household. And these should not simply half of the movie’s issues, there’s the director’s over-sexualisation of girls’s navels, problematic male gaze, unoriginality, lack of frequent sense and primary respect for logical considering and sincere storytelling.

Bangarraju makes one marvel what sort of lies some actors have to inform themselves to signal such mediocre films? However, these lies should be extra fascinating than the tales they approve of.

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